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	<title>The Music of Elliott Goldkind &#187; modern classical</title>
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	<link>http://www.ornette.com</link>
	<description>*******************************    Click tabs above for info, or read my blatherings, right there in the middle</description>
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		<title>God&#8217;s Grandeur (for Tenor &amp; Orchestra)</title>
		<link>http://www.ornette.com/archives/295</link>
		<comments>http://www.ornette.com/archives/295#comments</comments>
		<pubDate>Sun, 05 Sep 2010 13:27:27 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[modern classical]]></category>
		<category><![CDATA[scores]]></category>
		<category><![CDATA[God's Grandeur]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[score]]></category>
		<category><![CDATA[tenor]]></category>

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		<description><![CDATA[http://ornette.com/God%20s%20Grandeur-ORCH-9-5-10.pdf
Here&#8217;s a pdf of my score of the setting of G.M. Hopkins&#8217; &#8220;God&#8217;s Grandeur&#8221; for Tenor &#38; Orchestra.
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Counterpoint, The Inscrutible Arnold Schoenberg, and His Mystifying Pierrot Lunaire</title>
		<link>http://www.ornette.com/archives/277</link>
		<comments>http://www.ornette.com/archives/277#comments</comments>
		<pubDate>Sun, 05 Sep 2010 12:34:22 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[modern classical]]></category>
		<category><![CDATA[Schoenberg]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=277</guid>
		<description><![CDATA[<div class="Section1">
<p class="MsoNormal" style="margin-top: 12pt; text-align: center;" align="center"><strong><span style="font-size: 14pt;">Counterpoint,
The Inscrutible Arnold Schoenberg,
and His Mystifying Pierrot Lunaire
</span></strong><em><span style="font-size: 14pt;">(or Why I’m Not Smart Enough to be a Theorist)</span></em>
<p class="quote"><em><span style="font-size: 12pt;">Counterpoint: the study of the art of voice leading with respect to motivic combination (and ultimately the study of the ‘contrapuntal forms’).<span> </span>Schoenberg, Harmonielehre.</span></em></p>
<p class="MsoNormal" style="margin-top: 12pt; line-height: 18pt;">To say that there are only two types of music theory would not only be rhetorically reductive in the extreme, but would also be an excellent example of falsehood.<span> </span>This issue of falsehood aside, let me at least make a categorical distinction, ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Classical Beat &#8211; Form and content</title>
		<link>http://www.ornette.com/archives/246</link>
		<comments>http://www.ornette.com/archives/246#comments</comments>
		<pubDate>Thu, 28 Jan 2010 06:45:07 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[concert review]]></category>
		<category><![CDATA[modern classical]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=246</guid>
		<description><![CDATA[&#8220;There’s a widespread idea in the general culture that classical music is “smart,” and that it requires a certain amount of knowledge to appreciate. And yet the level on which it’s generally apprehended, as outlined above, is not particularly smart at all.&#8221;
via The Classical Beat &#8211; Form and content.
I actually don&#8217;t agree with a good [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Was War&#8221; for String Quartet</title>
		<link>http://www.ornette.com/archives/227</link>
		<comments>http://www.ornette.com/archives/227#comments</comments>
		<pubDate>Mon, 18 Jan 2010 11:15:26 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[modern classical]]></category>
		<category><![CDATA[string quartet]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=227</guid>
		<description><![CDATA[Here&#8217;s a recording of my &#8220;Was War&#8221; for string quartet.  Pretentious or not, the title is both English and German (meaning &#8220;what was&#8221;).  I wanted to upload it to this page or my reverbnation page but the file is too large for either/both.  (Grr!)  Oh well.
The score of this piece is available here: http://www.ornette.com/wordpress/wp-content/uploads/2009/01/Was-War-for-String-Quartet.pdf If [...]]]></description>
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		<slash:comments>1</slash:comments>
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		</item>
		<item>
		<title>ReverbNation Tunewidget</title>
		<link>http://www.ornette.com/archives/200</link>
		<comments>http://www.ornette.com/archives/200#comments</comments>
		<pubDate>Fri, 23 Oct 2009 02:32:03 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[film score]]></category>
		<category><![CDATA[modern classical]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[player]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=200</guid>
		<description><![CDATA[No, this widget doesn&#8217;t have all my available tunes.  That can be found here.  But, for whatever it&#8217;s worth, here&#8217;s yet another way to click and hear a ditty or two.

]]></description>
		<wfw:commentRss>http://www.ornette.com/archives/200/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Alan Gilbert takes over the New York Philharmonic : The New Yorker</title>
		<link>http://www.ornette.com/archives/192</link>
		<comments>http://www.ornette.com/archives/192#comments</comments>
		<pubDate>Sun, 18 Oct 2009 09:48:24 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[concert review]]></category>
		<category><![CDATA[modern classical]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=192</guid>
		<description><![CDATA[Alan Gilbert takes over the New York Philharmonic : The New Yorker.
This is an exciting development, and of course one that makes me wish I could spend more time in Avery Fisher, not to mention in NYC in general.  It would be nice if the NYPhil could become a significant force in modern music again.
]]></description>
		<wfw:commentRss>http://www.ornette.com/archives/192/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Esa-Pekka Salonen: L.A. has been in good hands &#8211; Los Angeles Times</title>
		<link>http://www.ornette.com/archives/140</link>
		<comments>http://www.ornette.com/archives/140#comments</comments>
		<pubDate>Sat, 11 Apr 2009 23:16:16 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[modern classical]]></category>

		<guid isPermaLink="false">http://www.ornette.com/?p=140</guid>
		<description><![CDATA[via Esa-Pekka Salonen: L.A. has been in good hands &#8211; Los Angeles Times.
Excellent piece on Esa-Pekka in today&#8217;s LA Times.
]]></description>
		<wfw:commentRss>http://www.ornette.com/archives/140/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Download my scores at Sibelius Music!</title>
		<link>http://www.ornette.com/archives/126</link>
		<comments>http://www.ornette.com/archives/126#comments</comments>
		<pubDate>Sun, 05 Apr 2009 22:56:02 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[film score]]></category>
		<category><![CDATA[modern classical]]></category>
		<category><![CDATA[scores]]></category>

		<guid isPermaLink="false">http://www.ornette.com/archives/126</guid>
		<description><![CDATA[I&#8217;ve started recopying and uploading to the Sibelius site.  I really am loving this program and the site is a great way to find and download scores.  A few up now, but and more coming soon.

You can find my work here: http://members.sibeliusmusic.com/goldkind
]]></description>
		<wfw:commentRss>http://www.ornette.com/archives/126/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Score to Symphony #1 Now Posted to Scores Page</title>
		<link>http://www.ornette.com/archives/120</link>
		<comments>http://www.ornette.com/archives/120#comments</comments>
		<pubDate>Tue, 24 Feb 2009 10:25:57 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[modern classical]]></category>
		<category><![CDATA[scores]]></category>
		<category><![CDATA[Symphony]]></category>

		<guid isPermaLink="false">http://www.ornette.com/archives/120</guid>
		<description><![CDATA[Click above on &#8220;SCORES&#8221; for new scores (in pdf format), including the complete score to my First Symphony (3 Movements for Orchestra).
]]></description>
		<wfw:commentRss>http://www.ornette.com/archives/120/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>New Festival Screenings!</title>
		<link>http://www.ornette.com/archives/101</link>
		<comments>http://www.ornette.com/archives/101#comments</comments>
		<pubDate>Wed, 11 Feb 2009 00:42:54 +0000</pubDate>
		<dc:creator>elliott</dc:creator>
				<category><![CDATA[film score]]></category>
		<category><![CDATA[modern classical]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[infinite space]]></category>
		<category><![CDATA[score]]></category>

		<guid isPermaLink="false">http://www.ornette.com/archives/101</guid>
		<description><![CDATA[I know this blog is supposed to be about matters besides Infinite Space, but blogging about my gradual re-entry of old scores into Sibelius wouldn&#8217;t be all that interesting, right?
So at least I have this good news to post.  Infinite Space has been accepted to more festivals!  In addition to its Palm Springs [...]]]></description>
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		<slash:comments>4</slash:comments>
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